Capabilities
Every project has its own rhythm. I’m just as comfortable leading a full crew on a large-scale commercial set as I am working solo with a minimal footprint for a documentary-style shoot. My focus is always on solving the visual puzzle at hand—balancing the logistical needs of the project with the creative goals of the brand.
Industrial and Architecture
Growing up around builders and developers gave me an early appreciation for built spaces and the stories they tell. That background informs how I approach commercial architecture and industrial photography, whether it's a gleaming corporate exterior, a working port, or a production floor. What draws me to industry especially is the scale: the kind that reminds you how ambitious humans can be. I work closely with architects, developers, and operations teams to find the frame that communicates not just what a space looks like, but how it's used and what it means.
Corporate and Healthcare
People are at the center of every corporate assignment, whether it's a company-wide headshot day, executive portraits, candid workplace documentation, or clinical environments where the stakes of getting it right are even higher. The goal is always the same: images that reflect how your organization actually works and the people who drive it. The key is rapport. Most people don't love being photographed, and getting a great portrait means creating enough ease that the real person shows up in the frame.
Hospitality and Lifestyle
Hospitality and lifestyle photography lives in the details: the way light falls across a dining room before service, the quiet moment between a guest and a view, the staff member who makes it all run. My first career was in restaurant management, which means I understand service culture from the inside and know how to work within a busy operation without getting in the way. I've shot for clients including Marriott, Hilton, Gamble Sands, Lynmar Estates, and Rodney Strong, bringing the same attention to atmosphere and people whether the assignment is a resort, a winery, or a brand campaign.
Editorial and Narrative
This is the work I love most. Editorial and narrative photography is where the brief disappears and the story takes over, and I've spent more than a decade chasing it across India, Kenya, and Uganda. Two Adobe Foundation grants took me into East Africa to document clean water and sanitation programs alongside the communities living them. In partnership with photographer Rudi Dundas and The Samburu Project, our traveling exhibition "The Face of Water" has raised over $80,000 and helped bring clean drinking water to approximately 50,000 people. That work has shaped everything about how I shoot: with patience, presence, and a genuine interest in what's actually happening in front of the lens.